Tobias Churton's Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick PDF

By Tobias Churton

A biographical historical past of Aleister Crowley’s actions in Berlin from 1930 to 1932 as Hitler was once emerging to strength

• Examines Crowley’s specialize in his artwork, his paintings as a secret agent for British Intelligence, his colourful love lifestyles and intercourse magick exploits, and his contacts with magical orders

• Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers comparable to Christopher Isherwood, Jean Ross, and Aldous Huxley

• Recounts the fates of Crowley’s acquaintances and co-workers less than the Nazis in addition to what occurred to Crowley’s misplaced artwork exhibition

Gnostic poet, painter, author, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic faith “Thelema,” he desired to be one of the leaders of artwork and proposal, and Berlin, the liberated future-gazing city, sought after him. There he may reside, till his moved quickly departure on June 22, 1932, as Hitler was once speedily emerging to energy and the black curtain of intolerance got here down upon the town.

Known to his neighbors affectionately as “The Beast,” Crowley observed the ultimate lighting of Berlin’s creative renaissance of the Weimar interval whilst Berlin performed host to the various world’s most eminent artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, together with Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and lots of different luminaries of a glittering global quickly to be trampled into the dust through the worldwide massacre of global struggle II.

Drawing on formerly unpublished letters and diary fabric by means of Crowley, Tobias Churton examines Crowley’s years in Berlin and his excessive concentrate on his paintings, his paintings as a undercover agent for British Intelligence, his colourful love lifestyles and intercourse magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues below the Nazis in addition to what occurred to Crowley’s misplaced artwork exhibition--six crates of work left in the back of in Germany because the Gestapo was once ultimate in. Revealing the genuine Crowley lengthy hidden from the ancient list, Churton provides “the Beast” anew in all his ambiguous and, for a few, terrifying glory, at a blazing, seminal second within the historical past of the world.

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Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic by Tobias Churton


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